e-Panel
21 Şubat Uluslararası
Çocukluk Çağı Kanser Günü
GÖRÜNEN AMA İŞİTİLMEYEN
Ve gördüm çocukluğun bilinen çıkmazını…
Annesiyle yürüdüğü yolların unutulmuş sabahlarını!
Gün ışırken huşu içinde,
Yeşili küçük kilisenin gelgitlerinde…
Ve tarlaları çocukluğun, yılmadan hep fısıldadı.
Dağladı gözyaşları yanaklarımı, acısı içime taştı.
Onlar ağaç parçalarıydı, nehrin ve denizin üzerinde ...
O çocuktu, ölümün fısıltılarının eşlik ettiği yaz gününün coşkulu ruhu!
Oydu! Ağaçlara, taşlara ve gelgite kapılmış balık..
Ve bir mucize olabilmeliydi doğuşum!
Uzaklarda ama her yanı saran iklimde…
Ve gerçek:
"Ölü çocuğun neşeyle yanan seremonisiydi güneşte kalan''
Dylan Thomas
SEEN BUR NOT HEARD
And I saw in the turning so clearly a child's
Forgotten mornings when he walked with his mother
Through the parables
Of sun light
And the legends of the green chapels
And the twice told fields of infancy
That his tears burned my cheeks and his heart moved in mine.
These were the woods the river and sea
Where a boy
In the listening
Summertime of the dead whispered the truth of his joy
To the trees and the stones and the fish in the tide.
And the mystery
Sang alive
Still in the water and singing birds.
And there could I marvel my birthday
Away but the weather turned around. And the true
Joy of the long dead child sang burning
In the sun.
Dylan Thomas







THY KINGDOM COME
The title, in this case refers to the animal kingdom, where animals in an older world move, gifted with senses we have lost, living by voices we do not hear. With a metaphoric language these images examine the relationship between man, animal and earth.
The child intuitively walks these meridians in a pure state of living in the moment, embodying the unreflective consciousness of the animal. Migrating between the two worlds, they carry this awareness on their backs. They are the tangible form of this fusion.
In dreams, the magic that weaves man and animal together glows with vibrancy; there the mysteries of the natural world are plain, the connectedness of life overpowers in a true state of being in balance with the earth. The traceries of energy that link us with the animals of forest, lake and sky are alive if we are quiet enough to see them.
"LEARNING TO FLY"
"JOURNEY OF THE BOBCAT"
"WAY OF THE HARE"
"PATH OF THE FOX"
Orta format fimle çekim yapıyorum ve tüm baskılarımı kendim hallediyorum. Bazen çift pozlama ve pek çok negatif kullanıyorum.
Son şekli oluşturana dek, benim için görüntüyü yakalayabilmek açısından çok önemli pek çok adım var.
Tüm fotoğraflar platin-palladyum baskıdır. Bu maddeler %100 pamuklu kumaştan mürekkep yazıcı kağıdı üzerine elle kaplanmıştır. Platin, altın gibi sabit ve kalıcı olduğundan platin baskı daha arşivseldir. Bir platin baskı yüzyıllarca dayanabilir.
I shoot medium format film and do all of my own printing. I sometimes use double exposures and multiple negatives.
There are many steps involved with creating the final print and these are as important to me as the capturing of the image.
All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper. Since platinum, like gold, is so stable and permanent, the platinum print is the most archival of any image on paper. A platinum print can last for centuries.
Education – Eğitim
1974 - 1978 University of Wisconsin Green Bay, Fine Art Major
1993 Mike Ware's platinum printing - England
Awards – Ödüller
2007 Favorite Portfolio, Arles, France
2004 Special Merit Award, Northern National
2004 Golden Light Award
Solo Exhibitions - Kişisel Sergiler
2008 Thy Kingdom Come, Gallery 291, San Francisco, CA
2006 Portraits of Time, The Bolinas Museum, Bolinas, CA
2001 Touch Wood, The Blue Gallery, London, England
2000 Trees of Life, Fussleman Hall Art Gallery, Kentfield, CA
2000 Zen Meditative Images, FLATFILE Gallery, Chicago, IL
Group Exhibitions - Karma Sergiler
2007 Among Trees, Aperture F64, San Anselmo, CA
2007 Flora Fauna, Flatfile Gallery, Chicago, IL
2007 Best of Arles Foto Folio, Farmani Gallery, Los Angeles, CA
2007 Best of Arles, Les Rencontres d'Arles Photographie, Traveling exhibition France
2006 Noble Processes in a Digital Age, The John Stevenson Gallery, New York, NY
2005 Witte Water Works, Witte Museum, San Antonio, TX
2005 Intimate Floral, Center for Fine Art Photography, Fort Collins, CO
2005 New Photography, San Francisco Museum of Modern Art Artists Gallery, San Francisco, CA
2004 The Earth, Flatfile Gallery, Chicago, IL
2004 High and Dry, Cultural Center of Texas, Texas
2003 Curators Choice, Flatfile Gallery, Chicago, IL
2002 Beth Moon Portfolio, Flatfile Gallery, Chicago, IL
2002 Evocations, Falkirk Cultural Center, Marin, CA
2001 As Eye See, Sanchez Art Center, Pacifica, CA
Collections – Koleksiyonlar
Museum of Fine Arts, Houston, Texas
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