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“O, eski, bozulmuş bir yansıma ve başka bir ürkütücü manzarayla karşılaştığımız bir ayna sahnesini bize yaramazca gösterir.”
© Jill Greenberg, “Heatmiser,” 2005, Courtesy of ClampArt, New York City
Greenberg 15 yıldan uzun bir süre, hayal gücünün kendi tanınabilir süzgecine ilaveten, dünyanın en tanınmış ünlülerinin dikkat çekici görüntülerini oluşturdu Dijital efektleri ilk benimseyenlerden olan Greenberg, gerçekten içinde yaşadığımızdan daha keskin ve daha güçlü bir dünya geliştirdi. Jill Greenberg, bize dik dik bakan değiştirilmiş bir evreni meydana getiren dikkat çekici portreler oluşturuyor.
© Jill Greenberg, “Awestruck,” 2004, Courtesy of ClampArt, New York City
En son serisi “Son Zamanlar” güzel, dokunaklı tasvirleri bir araya getirir ve hem politik hem de kişisel ilişkileri kusursuz bir şekilde uygular. Greenberg’in konusu tabudur: Acı çeken çocuklar. Bu rahatsız edici görüntüden, popüler ana görüşü ortaya çıkarmak için faydalanır ve bu ülke ve dünyanın yüzyüze olduğu gerçek tehlikelerin ulusça konuşulmasını sağlamak için katkı sağlar. 
© Jill Greenberg, “Monkey Suit,” 2005, Courtesy of ClampArt, New York City
Jill Greenberg’in fotoğrafları keskin, doygun, şaşırtıcı ve gariptir. Çalışmaları gerçeklik ve hayal gücüyle doludur. Greenberg’in yeni çalışması ulusal bir duyarlılığa neden olmuştur.
© Jill Greenberg, “Dude,” 2004, Courtesy of ClampArt, New York City
“Maymun Portreleri” serisi ile ilgili olarak; Greenberg bir dizi maymun portreleri oluşturmuş ve bizi, köklerimizle ilgili farklı bir şekilde düşündürmek istemiştir… Onun maymun tasvirlerine baktığımızda, her nasılsa, yüzlerinde ve özel fizyonomilerinde kendimizi görürüz. Bu korkutucu, yönünü şaşırtıcı, keyiflendirici ve dehşet vericidir. 
© Jill Greenberg, “Yikes,” 2004, Courtesy of ClampArt, New York City
O, eski ve bozulmuş bir yansıma ve başka bir ürkütücü manzarayla karşılaştığımız bir ayna sahnesini bize yaramazca gösterir. Gördüğümüzün kim ya da ne olduğunu anlamamızı sağlamaya çalışır. Maymunlarına kasıtlı olarak insan gibi şekiller vermesi vasıtasıyla yardım edemeyiz ama onların dik bakışlarını tanımlayabiliriz ve tanıdığımız insanları, daha evvelden görmüş olduğumuz ifadeleri hatırlarız.
© Jill Greenberg, “Baby Monkey,” 2005, Courtesy of ClampArt, New York City
“She mischievously shows us another type of mirror-stage, where we confront an ancient and distorted reflection, another startling spectacle, and try to make sense of who or what we are seeing.”
© Jill Greenberg, “Gibbon Lean,” 2004, Courtesy of ClampArt, New York City
Over the last fifteen years, Greenberg has made memorable images of many of the world’s most recognizable celebrities, in addition to creating a recognizable filter of vision itself. An early adopter of digital effects, Greenberg has developed a world that is more intense, more razor-sharp than the one in which we actually reside. Jill Greenberg creates portraits that seize our attention, that create an altered universe staring back at us.
© Jill Greenberg, “Mala Centerfold,” 2005, Courtesy of ClampArt, New York City
Her most recent series, "End Times," combines beautiful, poignant imagery, impeccably executed, with both political and personal relevance. Greenberg’s subject is taboo: children in pain. She utilizes this uncomfortable image as a way to break through to the pop mainstream and participate in a growing national dialogue of the real dangers facing this country and world. 
© Jill Greenberg, “Offput,” 2004, Courtesy of ClampArt, New York City
Jill Greenberg's images are sharp and saturated, stunning and quirky; her work is soaked with realism and imagination. Greenberg’s new work has already hit a national nerve.
© Jill Greenberg, “Glare,” 2005, Courtesy of ClampArt, New York City
For the series “Monkey Portraits,” Greenberg has created a series of monkey portraits and asks us to consider, in another way, our origins. We look into her monkey’s expressions, their faces– their peculiar physiognomy– and somehow see ourselves. It is frightening and disorienting, exhilarating and awesome. 
© Jill Greenberg, “Worried,” 2005, Courtesy of ClampArt, New York City
She mischievously shows us another type of mirror-stage, where we confront an ancient and distorted reflection, another startling spectacle, and try to make sense of who or what we are seeing. By intentionally anthropomorphizing her monkeys, we can not help but identify with their gaze, and be reminded of people we know, expressions that we have seen before.
© Jill Greenberg, “Wince,” 2004, Courtesy of ClampArt, New York City
Selected Exhibitions: Seçme Sergiler:
2008 “Transfigure,” Kemper Museum, Kansas City, Missouri “Play/Quatre Jeux,” O’Born Contemporary, Toronto, Canada “Jill Greenberg: Monkeys, Bears, and Children,” Southeast Museum for Photography, Daytona Beach, Florida “Jill Greenberg: Monkey Portraits,” Eleanor London Cote-St-Luc Public Library, Montreal, Canada “Jill Greenberg: Monkey Portraits,” National Academy of Sciences, National Academy’s Upstairs Gallery, Washington DC “The Body is Art” Michele Mosko Fine Art, Denver, Colorado
2007 “Empty Nest: The Changing Face of Childhood in Art, 1880 to the Present,” Nathan A. Bernstein & Co. Ltd., New York City (Curated by Lowell Pettit) “Jill Greenberg,” Fahey/Klein Gallery, Los Angeles “Jill Greenberg: Ursine,” ClampArt, New York City “Jill Greenberg: End Times,” ClampArt, New York City [In the Project Room] “Eat the Food!,” Museum of Contemporary Canadian Art, Toronto (Curated by Camilla Singh) “Kids: Julie Blackmon, Ruud van Empel, Jill Greenberg,” David Winton Bell Gallery, List Art Center, Brown University, Providence, Rhode Island (Curated by Jo-Ann Conklin)
“Jill Greenberg: Monkey Portraits,” National Academy of Sciences, Keller Gallery, Washington DC “The Evolution of the Digital Portrait,” ClampArt, New York City "Ominous Atmosphere," Heather Marx Gallery, San Francisco (Co-curated by Jeff Dauber) “End Times,” Greenaway Art Gallery, Adelaide, Australia
“Human in Animals,” Judi Rotenberg Gallery, Boston “Why Look at Animals,” Artspace, New Haven, Connecticut (Curated by Denise Markonish) “Slideluck Potshow IX,” Sandbox Studios, New York City “Photo LA,” Los Angeles
2006 “Animal House,” Islip Art Museum, East Islip, New York (Curated Karen Shaw) “It’s All About Me,” Chelsea Art Museum, New York City “Jill Greenberg: Monkey Portraits,” ClampArt, New York City “End Times,” Paul Kopeikin Gallery, Los Angeles “Offspring,” Boston University Art Gallery, Boston, Massachusetts “The Photography Show
2005 “Animal Tales”, DFN Gallery, New York City 2004 “Monkey Portraits,” Paul Kopeikin Gallery, Los Angeles 1999 “Christmas Show,” American Fine Art, New York City
Art Fairs: Sanat Fuarları:
2008 “Art Miami,” Florida, ClampArt “Photo LA,” California, ClampArt 2007 “Art Miami,” Florida, ClampArt “Photo LA,” California, ClampArt
2006 “Art Miami,” Florida, ClampArt “Photo NY,” New York, ClampArt “Scope” New York, PKG “The Photography Show,” New York, PKG “Art LA,” California, PKG “Photo LA,” California, PKG
2005 “Pulse,” Miami, Florida, PKG “AAF Contemporary Fair,” New York, PKG “Photo San Francisco,” California, PKG
Awards: Ödüller:
2008 Nominee, New York Photo Awards, Advertising (single) 2007 Society of Publication Designers-Silver Medal AP23 American Photography
2006 Award of Excellence, Communications Arts Print Placement – 2nd Place, PDN/Nikon Direct Mail Award – 1st Place, PDN/Nikon
2005 Special Book– 2nd Place, PDN/Nikon Self Promotion 2004 Self-Promo Award– 2nd Place, PDN/Nikon 1997 Award of Excellence, Communications Arts
Education: Eğitim:
1989 Bachelor of Fine Arts, Photography, Rhode Island School of Design, Providence, Rhode Island. 1988 “Semiotics in Media,” coursework with Mary Anne Doane, Brown University, Providence, Rhode Island. 1985 Winner: Traub Scholarship from Andover Public High School for Fine Art 1984 Parsons School of Design in Paris, Photography Summer Session.
Çeviri (translation by) : Berna AKCAN
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